The third plate of a set of four Times of Day, derived from paintings made by William Hogarth in 1736-7 (reversing the images in the process) and published by Hogarth in 1738. The corresponding painting is in a private collection. This print is a crisp, early first strike.
On laid.The condition is typical for a picture of this age including some discolouration. There are several tears around the edges and a loss to the lower left corner and middle left edge. Two of the original plate lines have been damaged.
45 x 37cm (17.7" x 14.6")
Four Times of the Day is a series of four oil paintings by English artist William Hogarth. They were completed in 1736 and in 1738 were reproduced and published as a series of four engravings. They are humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor
The four pictures depict scenes of daily life in various locations in London as the day progresses. Morning shows a prudish spinster making her way to church in Covent Garden past the revellers of the previous night; Noon shows two cultures on opposite sides of the street in St Giles; Evening depicts a dyer's family returning hot and bothered from a trip to Sadler's Wells; and Night shows disreputable goings-on around a drunken freemason staggering home near Charing Cross.
For our full collection of William Hogarth FRSA (1697–1764) artworks click here
William Hogarth FRSA (10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge.
Influenced by French and Italian painting and engraving, Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual, mostly of the first rank of realistic portraiture. They became widely popular and mass-produced via prints in his lifetime, and he was by far the most significant English artist of his generation. Charles Lamb deemed Hogarth's images to be books, filled with "the teeming, fruitful, suggestive meaning of words. Other pictures we look at; his pictures we read."
| SKU | qv391 |
|---|---|
| Artist | William Hogarth FRSA (1697–1764) |
| Date | 1738 |
| Dimensions | 45 x 37cm |
| Medium | Engraving |
| Subject | Landscape |
| Item Returns | This item can be returned |
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