Pauline Plummer (b.1933) - 2012 Oil Haflingers at Oxnead

Description

A serene countryside scene featuring a herd of Haflinger horses by the artist Pauline Plummer (b.1933). Signed and dated to the lower right. Also signed, titled and inscribed to the reverse. Well presented in a smart painted frame. On board.

Condition

Light abrasions to the surface. Overall the artwork is in good condition. Very light wear to the frame, including some small scuff marks.

Size

38 x 50cm (15" x 19.7")
Framed Size: 52.5 x 62.5cm (20.7" x 24.6")

Collection Information

Pauline Plummer says of her work, "My style is traditional. I enjoy the challenge of constructing a balanced composition from figures, still life or landscape. However, it is landscape which is my principal theme, usually including some structural feature such as a grand building like a church or mansion, or just a disintegrating hut, a bridge, a beached boat, or a wavering line of fence. I am fascinated by the changing colours and patterns of the agricultural scene, the brilliance of oilseed rape, or the dark shadows of potato furrows. There are also, on a small scale, even in Norfolk, all those areas which have been so carefully controlled, where the weeds grow high, and one can imagine oneself lost among them."

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Artist Biography

Born May 1933, the only daughter of two very artistic parents, Pauline studied Fine Art at the University of Reading 1951-1955, graduating with a BA Hons. After graduating she was awarded a three-year studentship by the Council for the Care of Churches to study conservation of paintings. For two years Pauline attended the Courtauld Institute of Art Technology Department, headed by Professor Stephen Rees Jones. From 1960 Pauline worked freelance. In her long career she has worked extensively all over the country on many notable conservation projects in a wide variety of locations from stately homes, colleges, churches and cathedrals, including projects for the National Trust and English Heritage. During her working life Pauline enjoyed her own art as a hobby. She benefitted from courses by distinguished teachers, for example Robin Child and Roy Freer. It was on her retirement from conservation that she immersed herself in her passion for painting and went on to develop an extensive collection of artistic work.