Robert Anning Bell (1863-1933) - Early 20thC Watercolour The Confrontation

Description

A striking, unidentified Biblical scene in pencil and watercolour, showing a man with a dagger in his sheath at his side, aggressively approaching an older man who hides his face. A bowl of frankincense burns to the right and in the background an open door reveals a man and woman standing outside. The scene is has much narrative and dynamism and the darkened palette adds an atmosphere of foreboding to the interior scene. The composition of the piece, tall, almost window like shape, is typical of the Art Nouveau era and the artist's style. The artist has initialed to the lower right corner. The artist also signed to the original backing board. This graphite signature has been adhered to the reverse. The watercolour has been handsomely presented in a fine early 20th Century gilt wood slip with card mount. On wove laid to board.

Condition

The condition is typical for a picture of this age including some discolouration. There is a score horizontally about 2.5cm from the bottom of the drawing, running across the width. The frame has some minor scuffing to the edges but has retained its original gilt wonderfully.

Size

24 x 28cm (9.4" x 11")
Framed Size: 65.5 x 51cm (25.8" x 20.1")

Artist Biography

Robert Anning Bell RA (1862 –1933) was an English artist and designer. He was born in London on 14 April 1862, the son of Robert George Bell, a cheesemonger, and Mary Charlotte Knight. He studied at University College School, the Westminster College of Art and the Royal Academy Schools, followed by a time in Paris.
On his return he shared a studio with George Frampton. With Frampton he created a series of designs for an altarpiece which was exhibited at the Arts and Crafts Exhibition Society and later installed in the Church of St Clare, Liverpool.
From 1895 to 1899 Bell was an instructor at the Liverpool University school of architecture. During this time he became associated with the Della Robbia Pottery in Birkenhead and also was becoming increasingly successful as a book designer and illustrator.
In 1911 Bell was appointed chief of the design section at the Glasgow School of Art, and from 1918 to 1924 he was professor of design at the Royal College of Art. He continued to paint and exhibited at the Royal Academy, the New English Art Club and the Royal Society of Painters in Water Colours, as well as at the Society of Graphic Art's first exhibition in 1921. In 1921 he was elected as Master of the Art Workers' Guild. He designed the great mosaic in the tympanum at Westminster Cathedral from sketches left by the architect John Francis Bentley; the work was completed in 1916. Bell worked from 1922 on mosaics for the Palace of Westminster. Depictions of Saint Patrick of Ireland and Saint Andrew of Scotland were erected in the Central Lobby; in Saint Stephen's Hall, one panel was erected depicting Saint Stephen, King Stephen and Edward the Confessor and another showing Edward III presenting the design for St Stephen's Chapel to his Master Mason, Michael of Canterbury. The last of these mosaics was unveiled in 1926.
His second wife was fellow artist Laura Richard whom he married in 1914 (he had previously been married to Amy Caroline Ditcham in 1900). He had no children by either wife; Laura lost her only son (Charles Antoine Richard Troncy) by her previous husband (the artist Emile Troncy) in the First World War. He died in London on 27 November 1933, aged 71, and his ashes were interred in St James's Church, Piccadilly. A memorial to him lies above them.