Inge Clayton FRSA (1942-2010) - Signed 1998 Aquatint Mia

Description

A classic example of established feminist artist Inge Clayton's evocative prints. A number of complex techniques have been combined to give this piece the depth of texture typical of Clayton's style. For example the fabric textures found in the background have been achieved by inking up material and impressing it into the paper directly. The sharp debossed shapes combined with the woman's confident stance produces a powerful image of a woman which differs from traditional patriarchal representations of the female nude as passive. Titled, signed, dated and editioned '2/20' in pencil within the plate line. On wove.

Condition

There is a light crease to the upper left corner and the print has been trimmed within the plate line to the upper and right edges. Overall the appearance is very good.

Size

58 x 45.5cm (22.8" x 17.9")
Sheet: 64.3 x 49.3cm (25.3" x 19.4")

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Artist Biography

Inge Clayton 1942-2010. Painter, designer, sculptor and collagist, born in Salzburg, Austria then settled in London in 1961. She has held several solo shows in her native Austria and Germany and has also exhibited at the Royal Academy as well as in many London galleries.

Clayton worked as an interior architect and a jewellery designer on first arriving in the UK and from 1976-84 she studied collage with Jack Yates and life drawing with John Nicholl at the Camden Arts Centre, as well as printmaking at St. Albans under Peter Jaques.

Her solo exhibition venues include Margaret Fisher Gallery, 1979, Artellier Gallery, 1984, Chalk Farm Gallery, 1985, Boundary Gallery, 1988, Andrew Usiskin Gallery, 1989 and 1992, St. Jude's Gallery, 1990, Anna-Mei Chadwick, 1990 and 1992, Arts Intaglio Gallery, Manchester, 1993 and in the same years was an invited artist at the Brighton Festival. Notable group exhibition venues include the RA, Camden Arts Centre, Alpine Gallery, Kunsthaus Schaller, Stuttgart, Gallerie Engelberts, Geneva, Galerie Hessler, Munich, Galerie Groessel, Salzburg, Galerie Mozart, Salzburg and at the ICA, London.

Examples of her work are in the collection of Keele University, and the Marie Currie Foundation. More recently she has shown solo at the Catto Gallery, Hampstead, London. Much of her work shows her European background and one can easily recognize the influence of Otto Dix, Egon Schiele, Kokoschka, and George Grosz.