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A neoclassical sketch after an engraving by Paolo Fidanza (1713-1785), himself working after Raphael. The work is signed F. Calloigne and bears a distinctive stamped mark, the origin of which remains unidentified. An intriguing example of the classical tradition of copying Renaissance masters, combining academic study with historical interest. On paper.
Condition
The condition is typical for a picture of this age including some discolouration. Creasing to the paper and some small paper tears.
